Whether in the know or not about the group, this documentary is a must watch.
Read MoreDFF '15: Emelie (Michael Thelin)
Sort of like Funny Games crossed with Adventures in Babysitting with a touch of Home Alone thrown in, Michael Thelin’s thriller is constantly enthralling thanks to its pacing and lead performance by Sarah Bolger.
Read MoreDFF '15: Ludo (Q & Nikon, 2015)
The latest film from the director of the mind expanding Gandu, this horror outing might have you rewatching that film instead.
Read MoreDFF '15: Liza the Fox-Fairy (Károly Ujj Mészáros)
A stylish and tonally diverse romantic comedy, in good company with the creative and clever rom-coms coming out of South Korea.
Read MoreDFF '15: Der Bunker (Nikias Chryssos)
Der Bunker is a tightly structured German film set as if it were a modern fairy tale with surrealistic twists. At times claustrophobic.
Read MoreDFF '15: India's Daughter (Leslee Udwin)
Only an hour, but constantly infuriating, India's Daughter is a powerful film that has been met with censorship. Director Leslee Udwin uses a single incident to comment on a society as a whole.
Read MoreDFF '15: The World of Kanako (Tetsuya Nakashima, 2014)
Nakashima has created, with his latest The World of Kanako, a perfect feature to follow up his previous film Confessions (2010). Just as in that film, he crafts a world that is beautiful in its absence of hope.
Read MoreDFF '15: Sea Fog (Haemoo) (Shim Sung-Bo, 2014)
South Korea's Oscar Submission for 2014, use your chance to see what the Academy was missing out on at its DFF screening.
Read MoreDFF '15: Decay (Joseph Wartnerchaney)
From the depths of the horror film underworld emerges the gruesome mite of Joseph Wartnerchaney’s Decay. A gory success you won't be able to look away from.
Read MoreDFF '15: Aaaaaaaah! (Steve Oram, 2015)
Steve Oram's directorial debut is bold and singular. One of the year's must-see films.
Read MoreDFF '15: Crumbs (Miguel Llansó)
A quiet post-apocalyptic love story that uses Ethiopian landscapes as its setting and treats items of pop-culture and consumerism (Michael Jackson vinyl, Teenage Mutant Ninja Turtle toy, plastic sword) as ancient relics.
Read MoreWhat to See at the Denver Film Festival
Instead of using a film festival as a way to see films a few weeks before their wide releases use the opportunity to check out films that might not get regular showings on a big screen. Here are what we deem to be some of the can't miss movies of the festival.
Read MoreMaking a Better V/H/S
In order to make the best entry in the V/H/S series you must cut and paste across all the previous entries.
Read MoreBlu-Review: Kwaidan (Masaki Kobayashi, 1964) - Criterion Collection
Produced by the Ninjin Club, a production group established by the three actresses Keiko Kishi (who appears in the film as the Yuki-onna), Yoshiko Kuga, and Ineko Arima, Masaki Kobayashi’s Kwaidan was a major undertaking. At three hours in length, Kobayashi presents four kaidan, strange period tales involving ghosts.
Read MoreFilm Review: Cure (Kiyoshi Kurosawa, 1997)
It’s almost twenty years since Kiyoshi Kurosawa emerged with his first true masterpiece. While I do hold a special place in my heart for The Excitement of the Do-Re-Mi-Fa Girl (1985), Cure is most assuredly where the promise of his genius is maintained in every single frame.
Read MoreBlu-Review: The Brood (David Cronenberg, 1979) - Criterion Collection
Criterion tackles Cronenberg's pre-Scanners film and have us hungering for more Oliver Reed.
Read MoreBlu-Review: Nail Gun Massacre (Terry Lofton/Billie Leslie, 1985) – 88 Films
Cheaper than a chainsaw in more ways than one.
Read MoreBlu-Review: Requiescant (Carlo Lizzani, 1967) – Arrow Video
A western with Pier Paolo Pasolini is all you need to know.
Read MoreMHHFF ’15: Landmine Goes Click (Levan Bakhia)
From Georgia and its tourism board, a well-executed and thoughtful piece of ugly cinema
Read MoreDVD-Review: Fuku-chan of Fukufuku Flats (Yosuke Fujita, 2014) – Third Window Films
Fujita's follow up to Fine, Totally Fine is worthy of its spiritual predecessor with wonderfully human characters who try to strive past their quirks rather than relishing in them in a self-aware way. A truly feel-good story from Third Window Films.
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