Naoko Ogigami (thankfully) returns with a film that continues her trademark quiet quirk but is a new chapter for the director because of its social significance.
Read MoreFilm Review: Close-Knit (Naoko Ogigami, 2017)
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Mugi Kadowaki
Film Review: Double Life (Yoshiyuki Kishi, 2016)
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A film in which questions of self and existence are explored through the simple act of stalking.
Read MoreFilm Review: Wolf Girl and Black Prince (Ryuichi Hiroki, 2016)
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Hiroki's film is a mixture of thoughtful and iconoclastic formal techniques and tired anime clichés. A watered down Secretary at the high school level.
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